At the heart of ‘time and seeing’ is the sea – the water of the fjord, which I observed every morning from my window. The rich variety of colors and movements of the water are reflected in my textile works.

The entire creative process is characterized by a slow, mindful approach: the careful observation of my surroundings, taking pictures with my analog camera, dyeing the yarns with seaweed I collected from the fjord, the traditional processing of Norwegian sheep's wool into yarn, and knitting Intarsia patterns. The result is a series of abstract windows, like intimate paintings, that evoke my time in Norway.